Radu Tîrcă and Ștefania Hîrleață are students at University of Architecture and Urbanism 'Ion Mincu', Bucharest. At present, they lead their theoretical research on the subject of thermal towns and diploma projects in Govora Baths under the guidance of Stefan Simion, Irina Tulbure and Ilinca Paun Constantinescu. As students, they won second prize and best student project in a BeeBreeders international architecture competition - Mango Vynil Hub, third prize in a Zeppelin national competition - Prototip pentru comunitate, as well as other mentions in other competitions.
The Latin Connection
Inside the national history museum of Romania is a cast of Trajan’s column from Rome, depicting the battles between the Roman Empire and the Dacians, leading to the birth of the Romanian people. There’s a similar cast in the V&A Museum in London in the Museo Della Civilta Romana in Rome and Römisch-Germanisches Zentralmuseum in Germany. Despite it being fundamental for the Romanian culture, a complete reproduction of these casts has been available for the Romanian public only starting with 1972. These migrating copies have gained their intrinsic value through time, each offering a different spatial experience from the original and between themselves. Despite this, their initial connection is still legible.
How many times can we play Chinese whispers with a work of art until it completely loses its original meaning? This was one of the questions that the art group subREAL tried to raise with their piece, which merges two iconic figures: The Mona Lisa and Vlad the Impaler, the Romanian middle ages ruler who served as inspiration for Dracula.
As we see copies of buildings that sometimes rise faster than the original design and Pinterest acting as every architecture student’s new best friend, we wonder where you draw the line between copy and original.
 Trajan column, Rome (1865)
 Draculaland 1 (1992 - 2010) by subREAL ( Călin Dan, Dan Mihalțianu, Iosif Kiraly)